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Perpetuating American Traditions for Future Generations

About the Hancock House


The original Hancock House on Beacon Hill in Boston which was demolished in 1863 to make room for a new wing at the State House.



Front Parlor – July, 2017

Showing a recent major donation to the Ticonderoga Historical Society – The original John Hancock House Dining Room Table



The Hancock House was a gift to The New York State Historical Association (NYSHA) from native son and philanthropist Horace Moses. He built the house as a repository for the purpose of perpetuating “American Traditions in History and the Fine Arts,” and it served in this capacity for many years as the NYSHA “Headquarters House,” although it can no longer claim this title. This imposing Georgian mansion is a replica of Thomas Hancock’s (uncle to John Hancock) Beacon Hill residence built in 1737 and 1741, and demolished in 1863.

Horace Augustus Moses learned the paper industry from the ground up, eventually building and purchasing mills which he consolidated into the Strathmore Paper Company. Never forgetting his rural beginnings, he began to make considerable donations to many Ticonderoga charitable and educational enterprises, including Valley View Cemetery Chapel, Liberty Monument, Moses-Ludington Hospital, the Community Building, and the Hancock House. In building the Hancock House he achieved one of his earliest lifetime ambitions to establish a museum with a library that would make Ticonderoga a focal point for public interest in the region’s fascinating and nationally significant history.

Hancock House - Governor Hancock Room

The Governor Hancock Room

The Hancock House Museum and Research Library was dedicated in 1926. The Ticonderoga Historical Society today manages this elegant structure as a regional museum and reference library. There are interesting and exciting exhibits on all four floors of the Hancock House, including the Harmon Art Gallery. The modern library houses a large collection of regional material on civic, social and economic elements and also has one of the largest collections of genealogical resource materials in the region.

The preservation of records of the Yorkers of the past, their toil, their tribulations, and their triumphs, is one of the most pleasant functions of the New York State Historical Association. It uses these records of our cultural heritage to help modern Yorkers, young and old, both to appreciate the foundations which others have laid for them, and to enrich their minds with the inspiration which close contact with the achievements of the past so surely offers. To implement this program the Association now has quarters at Ticonderoga and Cooperstown and hopes ultimately to establish a series of such houses or quarters in various parts of the State. These will serve both as centers for the preservation and presentation of our living heritage and as depositories for the historical materials of the various sections they represent. The Hancock House, a reproduction of the Boston mansion of John Hancock, was the first of these units established by the Association.

The choice of Ticonderoga as a museum location was indeed a logical one, for the village is located directly on “La Chute,” the river or creek which connects Lake George and Lake Champlain, at the heart of a section rich in the historical lore of our state and nation. The “Northern Gateway,” as the section was called, is exactly that, for control of the easily accessible water routes to Canada meant control of the entire northeastern part of this country. The geographical location of Ticonderoga and its fort made it the key to this gateway.

ticonderoga-historical-society-100w-4The Hancock House was erected in 1926 and presented to the Association by Horace A. Moses, a native son of Ticonderoga, to further the interest of the people of northeastern New York and the Lake Champlain and Lake George valleys in history and the fine arts. After careful consideration the house was constructed as a replica of the famous John Hancock home which stood on Beacon Street in Boston and which was demolished in 1863 to make room for a new wing of the State House. John Hancock, the Revolutionary patriot, second president of the Continental Congress, signer of the Declaration of Independence and later Governor of Massachusetts, was a rich Boston merchant and his home was one of the finest of Colonial mansions. The original house was erected in 1737 by Hancock’s uncle, Thomas, and was a “wonder-house” in its day. The stone trim was contracted for in the “tenth year of the reign of George the Second” with one Thomas Johnson of Middletown, Connecticut. Undoubtedly, many figures of prominence in the early history of the Champlain Valley well knew the original Hancock House and its hospitable hosts.


The Great Parlor – showing the “Bombe Desk” – currently on a two US city exhibit tour. 

Among the reasons why this building was chosen, were the facts that it represented a splendid specimen of Georgian architecture, that it could be faithfully executed from the measured drawings made by John Sturgis before the original was destroyed, and it would be fireproof. The exterior has been carefully copied, built of Weymouth granite, as was the Boston house. Atmospheric and weather conditions have a happy effect on this stone, producing the illusion that the color tones of the building change, sometimes assuming a cast of green, again rose and at other times only a deep and very warm gray, adding to its charm for its many friends who come back to see it year after year.

The same care and faithful attention to correct detail in reproducing the original house has been used in the interior, especially in the main hall and stairway and in the two rooms to the right of the hall, which are exact duplicates of those in the earlier Hancock House. (The beautiful Great Parlor reflects the grandeur and craftsmanship from the mid 1700s.) An interesting feature of these rooms is the color scheme. Contrary to the popular belief that everything colonial should be painted white, gray was a very popular finish in these early days, and the walls and woodwork of these rooms are finished in an off-tone gray that is in the best eighteenth century American taste.